This video documents my solo exhibition, Inner Light 内なる光, which took place at Komyo-in temple, Kyoto, 4/28/21-5/5/21. 25 paperworks made in washi (handmade Japanese paper) are highlighted, including phosphorescent paperworks, from the Luminosity series, which have a glowing presence in the dark. A special Luminosity gallery was housed in the Hondo (meditation hall). Please enjoy a visit to the exhibition. To inquire about the artwork, please email me: email@example.com. 2021年に京都の東福寺塔頭光明院で開催されたサラ・ブレヤー氏の個展「内なる光」の記録映像です。 サラ氏は1500年の歴史を誇る日本和紙の産地、越前にて作品を制作しています。内なる光というテーマで構成された本展から、25点の作品をご紹介いたします。サラ氏の代表作である、暗闇の中で蓄光顔料が光る「ルミナシティ・シリーズ」もご覧いただけます。
Inner Light A solo exhibition of 30 works (screens, scrolls, and paperwork murals) to be exhibited throughout Komyo-in, a sub-temple in Tofukuji, Kyoto. A special LUMINOSITY gallery will show paperworks that glow in the dark. A new book, Inner Light, will be published for the exhibit. 本展では, 30点の作品を光明院全体に展示します.“LUMINOSITY”シリーズの特別な展示が暗闇の中で輝きます. Please stay tuned for further updates!
In the Studio July 2020 Midnight Moon, a new edition is finally complete! Midnight Moon editioning began in March, while it was still cold in the studio. Here it is July, and the prints are now complete. The project starts with handmade mulberry paper (kozo) that has gaps between the fibers. When the washi is made the fibers swirl in suspension. When the washi is dried and colored, it looks like a deep night sky filled with stars. Each print in the edition of 32 is hand-painted using indigo & ultramarine blue pigments. When painting, my studio floor becomes a huge palette. I love the variations in the blues. Each piece is unique due to the handmade process. After the printing and gluing each print, they are backed with another handmade paper to strengthen the work and add a contrasting color to the blues. I make all the crescent moons and its penumbra by hand. The final step is to assemble all the parts, and dry the prints. When I spread out the completed prints on my floor, I look for any finishing touches before signing each print. A sea of prints covers the studio floor. Phosphorescent pigments add a […]
Helen Hiebert’s “Paper Talk” podcast features an interview we did in my Kyoto studio about how I got started in the paper medium. Helen used to work at Dieu Donne papermill in NYC, where I first was inspired to work in paper. She has made an excellent resource that documents professionals in the paper field. The interview is 35 mins and was recorded in December 2019. Please see: https://helenhiebertstudio.com/products/series/paper-talk/
Meher McArthur has written an article about Sarah Brayer’s Luminosity works in Buddhistdoor March 17, 2020. ”Brayer’s exploration of inner light in her Luminosity works on (and in) paper have added an exciting new dimension to printmaking and washi papermaking. As an artist, she has achieved the seemingly impossible—illuminating core details of her works so that they can be seen in the dark. By viewing the work in shifting light conditions, one becomes aware of the outer transitory nature of daylight and inner unchanging light source within. By being in the dark, we become more aware of the inner light glowing within.” https://www.buddhistdoor.net/features/expressing-the-inner-light-the-luminescent-art-of-sarah-brayer
The night sky has inspired a new series called “Indra’s Cosmic Net.” Fascinated by the interconnectedness of all formations: large as the universe, and small as cells, I have been using the long fibers of mulberry paper to create cells and “draw” in a new way. These new works are part of the Luminosity series. I will also show prints and paperworks of Kyoto. All are welcome.
MOON exhibition at the Herbert F Johnson Museum at Cornell, Ithaca, N.Y August 26, 2018 to January 13, 2019 Opening reception and artist talk Thursday, September 6, 5-7 pm. The talk is part of the Stoikov Lecture Series on Asian Art and will be held in the Wing gallery. Oceanic Moon, Sarah Brayer’s 5 panel luminescent paperwork mural will be featured in MOON, an exhibition drawn from the Johnson’s permanent collection and timed to coincide with the annual celebration of the Autumn Moon Festival. A special gallery will be created for Oceanic Moon so that it is an immersive experience for the viewer. Soundtrack by Steve Greene.
Please join me for a show of works relating to Kyoto at the Ren Brown Collection, Bodega Bay California. The show will include new luminescent paperworks of the night skies, as well as a selection of paintings done in 1980-81 the first two years I was in Kyoto. These works were recently unveiled in a box inside the studio, and this is the first time they will be shown. The gallery is north of San Francisco on the Coast Highway. I will be present for the reception on Aug 25 and the following Sunday Aug 26.
“Crescent Glow” is the title of the print edition which I created for the NY Print Club membership. It was unveiled in NY in November 2017. The print is a silkscreen on mulberry washi with a handmade luminescent moon which was adhered to each print which makes each print unique. The crescent moon has a glowing presence at night. The studio I worked at in Kyoto was originally a yuzen kimono dying factory, which was designed to hold two lengths of 13 meter kimono fabric.
“Sarah Brayer: Luminosity” opens November 2-14 in London, sponsored by Hanga Ten. The exhibit is at Gallery 8, St James’s, London. Artist opening reception: November 8th, 6-9 pm. Recent paperworks and prints will be on display. I will be giving 2 gallery talks on Nov 9th, at 12:30 pm, and Nov 10th at 18:30. All are welcome.